lomad
An Australian aboriginal painting, with a menacing demonic creature influenced by Pieter Breughel. The creature's eyes are large, colorful and hollow, observing nearby creatures. Emphasis palest orange, white , blue-gray and deep red.. The creature is not merely observing, but is also poised to snatch one orher creature with its clawed hand. A woman reaching to grab the creature. The style of the image is a melding of Breughel's work and australian aboriginal art. Exaggerated depth of field.
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Kit Harington as Jon Snow, clad in the complete regalia of the Night's Watch, stands resolutely in the harsh, snow-covered terrain of the North. [He holds a stunningly detailed, lifelike replication of himself,] showcasing every battle scar, strand of hair, and steely expression. The ominous storm brewing in the background adds to the dramatic intensity of the scene, highlighting Jon Snow's unwavering resolve and enigmatic aura.
A mesmerizing ethereal beauty, reminiscent of the works by Eugenio Recuenco, Sandy Skoglund, Bella Kotak, Giampaolo Sgura, Dali, and Lempicka, skillfully rides a vintage bicycle adorned with fall flowers in a retrofuturistic village. The picturesque village is lined with architecturally unique buildings embellished with fall foliage and twinkling lights. The scene exudes magic realism with vibrant pastel colors, chiaroscuro lighting, ultra-detailed elements, and an ethereal storybook aesthetic that is both breathtaking and whimsical, capturing a sense of unimaginable beauty and maximalist brilliance in its composition.